I used to know it but can't remember anymore and after a long search online, still can't figure it out.
Ok, I have a bunch of layers and I want to make a lasso selection on the top layer and then use whatever the correct keyboard shortcut is to make a new layer with a merge of all the underlying layers made in the lasso selection area.
I know I can cntrl-alt-shift E and stamp a new layer on top of the stack with a merged version of all the layers below and then make a lasso selection and cntrl-J that to a new layer, then delete the cntrl-alt-shift E layer...but I would like to save the step of having to make the merged layer first. There is a keyboard short cut for this but I just cant find it.
Any of you pro's have the answer to this? Would really appreciate it.
Thanks!!
Hi
I have a file with 760 layers plus a background that is a photo. The layers are rasterised smart layers from Illustrator
I have a task by which I have to have the background always visible. I then make the first layer visible as well as the background and then save for web and devices. Once one I turn that layer off and then turn the next layer on and then save for web and devices. 760 times Oh God!!!!
I know I can create an action and even a droplet from the action the issues I have is how do I tell the action to turn the first layer on and then optimize the resultant image and then turn that layer off and then move to the nest layer and so on through the 760 layers
Any ideas would be great
Thanks
Hello,
I wondered if someone would hear me out and possibly help or advise me.
In the attachment there is a great picture of a bass jumping with the sky and sunset in the background.
I added a white paw to the sky and hope to make it look or blend in as a beleivable cloud in the sky.
My novice thoughts about how I might do this was as follows:
1) create and save a precise selection of the paw with a close detailed trace (I am having trouble donig this ste) and save the selction.
2) take that selection to the background copy layer and delete all the area inside that selection
3) take the background copy for cloud breakthrough layer and place it below the background copy layer with color enhancements to show through the holes in the background copy layer.
there is also a cloud paw layer which I aborted efforts working with.
-Bottom line is I am looking for a cloud paw in the sky which looks good, an orange emphasis is desired.
If you can do some work in the file and post it back up or at least advise how you would reccomend I try and go about it would be greatly appreciated.
BTW - The selection process really giving me fits with the idea I had, If you know of a great selection tutorial please send me some info.
Thanks,
Joe
Hi folks, newbie to the board. I'm using Photoshop CS6 and have hit an issue that I can't get to the bottom of and was hoping someone could help.
I've completed an image for a client. The original involves many layers, and I have got to the point when I want to merge everything down into a PDF for them to send to their printers.
Problem I am having is that when I try to directly save as a PDF or merge down the layers in a copy of my main PSD file, I am losing certain layer styles.
I have tried creating a blank layer below an offending layer and hitting CTRL + E, I have tried creating a blank layer, hiding all but the offending layer and blank layer and merging visible, I have tried Layer - Rasterize Layer Style, I have tried turning the layer into a smart object and then rasterizing (I lost the layer style as soon as I turned it into a smart object, even though it is still present in the smart object itself), and I have tried turning the layer into a group and merging the group. I have also tried saving the file in a number of different formats to no avail. I don't know what else I can try and why none of this has worked! I've also tried right clicking on the FX in the layer palette and chosen "Create Layers" at which point I get a dialog: "Some aspects of the effects cannot be reproduced with layers", and I get the same result. Most noticeable style that disappears is the drop shadow.
Weird thing is this isn't the case for every layer. I've particularly noticed it happens on text layers that have been text warped. However I've tried rasterizing them before trying to merge and that hasn't helped so I can't see how that is the problem.
I hope someone can help, I am totally stumped. If it makes a difference the mode is CMYK Color, 8 bit.
James
Hallo everybody,
following a tut about Photoshop compositing, I have to create a fake shadow on the ground. I make it pretty good (see image 1) using tre different layer copy with different blendings mode and Opacity.
But when i Merge three layer i loose my semitransparent shadow...it becomes completely black, at the starting point...
(see image 2)
What it wrong?
And than, if I want to blur the (unique) faked shadow layer, how can i male it without blurring all layers of the document? I try to use an empty layer as a Clipping mask, and I applied blur to it, without results...
please help!
Thx!
I had a situation earlier where I had about 50 layers, each with there own specific layer fx, but then I wanted to add a color outline to all of them.
Now, because the other fx are all different, is there a way I can just copy the stroke to all layers, instead of entering every layer, one by one, & setting it manually.
Hey everyone, I'm still busy learning bits & bobs. Haven't been posting a lot recently but I have a question about something that is foxing me. I will use the below Bubble image as an example.
If I make an image using (in most cases) multiple layers, but my end goal is to have a single layer png with transparent background. I find when I merge the group, the end result never looks like the original, and no amount of blending fixes it. Am I missing something simple, or is that just the way it is.?
The bubble isn't merged with the bg, just merged into it's own layer, but as you can see the difference however subtle is still different.
Just as an extra note. I even tried exporting to png, instead of merging, but the loaded png has the same result.
I have Photoshop CC and I loaded a PSD file into it with many layers.
Somebody created the PSD design for me.
I am trying to export all layers separately but when I go to Scripts >> Export Layers to Files, it kinda mixes a particular layer with all other layers.
So I can never get a layer on its own.
Have a look at one of these export below. The top shade should be on its own, but its accompanied by the bottom layer also. Every other file is also accompanied by the bottom layer. Any idea how I can just export all layers on their own?
Any suggestions?
JH
I am sorry if I don't use the correct jargon throughout this post, I am a very occasional user of Photoshop!
I have Photoshop CS4 Extended.
I want to create an "inverse" layer.
Here's what I mean:
1) create a new canvas.
2) Choose a large, bold font and write on the canvas (E.g. "Hello World").
3) Select all the letters (using the magic wand tool, click on each letter while holding down the shift key)
4) Invert the selection.
5) Get stuck, no idea what to do next. Try various things and get nowhere!
I want to make a new layer that contains the inverted selection as a shape that I can do things to like any other shape (e.g. in the shape library).
So, for example, I could fill the surrounding area with red and the letters will be transparent.
I've tried converting the inverted selection to a clipping mask, but after that I get in a bugger's muddle.
Perhaps I am going about this in completely the wrong way? Perhaps there's a better way?
Once again, I apologise if I sound like a three-year-old trying to explain something to an adult, but that's the extent of my knowledge of Photoshop!!
Hi all!
We're using photoshop to prepare assets for a game engine, and i'm trying to find a good workflow, which i can then teach to my artist.
At this point, i have an image with five layers. 12345
Layers 2-5 each have a layer mask on them.
Now what i want to do is, copy the layer mask of layer 2, and paste it into the Red colour channel of layer 1
then mask of layer 3 into the green channel of layer 1
layer 4 into the blue channel
and layer 5 into the alpha channel
So the result is that the channels of that layer will each look identical to the layer masks, and thus layer 1 will look like a wierd (but programatically meaningful) mishmash of colours.
I'm having some problems though.
Apologies for the massive image.
This is the green channel that i've gained from the above procedure. The big gradiented circle in the middle is what i made, but for some reason i have this white stripe down the left side too. I have no idea what that is or why it's there. It appears on both he green and blue channels when i paste in a mask. But if you look at the channel image in the right hand panel, it doesn't seem to have a stripe down it.
the stripe is definitely there, it's affecting the main image, and its annoying me.
any thoughts what might be causing that?
I've just discovered the existence of the Knockout feature in the Layer Blending Options. If you select Deep Knockout it allows your current layer to bypass all intermediate layers below it and instead blend only with the original, bottom Background layer.
I tried a few experiments and got Deep Knockout to work, but it only seems to work if the original background layer is present and intact. If I delete or rename the background layer, or substitute something else as my bottom layer, the Deep Knockout doesn't recognize this new bottom layer as the "Background" and drills right past it down to emptiness---an entire screen of blank pixels.
How do I take the bottom-most layer of my stack and redefine it as a Background, so that Deep Knockout will recognize it? (Also, I've never understood why Photoshop even bothers with the background layer, what special properties it has, and what advantage it provides vesus any other "normal" layer that sits at the bottom of the stack.)
Thanks