New Layer Vs. Layer Copy

I have seen this image before and we may have used it a while back. With a whole new set of players, I feel it's safe to bring it back in a new challenge.

No comments from the cheap seats on the condition of her skin. This is a lovely young woman and I would hope that we can all treat her image with respect.

I encourage everyone to give it a try even if your new to Photoshop. All participants should be prepared to explain the techniques they have been using, as we can't learn or help without some idea as to how it was accomplished.

Good luck!



Here is my 1st attempt.

edit: I start by opening the original and duplicating it and then turning off the original layer.
I create a new layer. This is the layer that I will do all of the following adjustments on.

I started by using the following tools and settings.
Healing Brush Tool - Mode= normal - Source= Sampled - Clone sample mode= Current level and below.
Spot Healing Brush Tool - Mode= Normal - Type= Content aware - Sample cloned data from composited data= Sample all layers.
Brush Tool - Mode= Normal - Opacity= 100% - Flow= 1%

This is the image (Layer A) after only using the tools above and one added Levels Adjustment Layer.



edit: I then select the uppermost layer (Levels Adjustment layer) and hit Shift>Option>Command + E to stamp all visible layers. I then name this layer A.
I highlight all other layers except layer A and the original background layer and group them. I then turn off the group.

I then start where the tutorial starts with only the layer A turned on.

Here is the image after using a skin softening technique described in this video:

I had a situation earlier where I had about 50 layers, each with there own specific layer fx, but then I wanted to add a color outline to all of them.

Now, because the other fx are all different, is there a way I can just copy the stroke to all layers, instead of entering every layer, one by one, & setting it manually.

Hi all!
We're using photoshop to prepare assets for a game engine, and i'm trying to find a good workflow, which i can then teach to my artist.
At this point, i have an image with five layers. 12345

Layers 2-5 each have a layer mask on them.

Now what i want to do is, copy the layer mask of layer 2, and paste it into the Red colour channel of layer 1
then mask of layer 3 into the green channel of layer 1
layer 4 into the blue channel
and layer 5 into the alpha channel

So the result is that the channels of that layer will each look identical to the layer masks, and thus layer 1 will look like a wierd (but programatically meaningful) mishmash of colours.

I'm having some problems though.




Apologies for the massive image.
This is the green channel that i've gained from the above procedure. The big gradiented circle in the middle is what i made, but for some reason i have this white stripe down the left side too. I have no idea what that is or why it's there. It appears on both he green and blue channels when i paste in a mask. But if you look at the channel image in the right hand panel, it doesn't seem to have a stripe down it.

the stripe is definitely there, it's affecting the main image, and its annoying me.

any thoughts what might be causing that?

I've just discovered the existence of the Knockout feature in the Layer Blending Options. If you select Deep Knockout it allows your current layer to bypass all intermediate layers below it and instead blend only with the original, bottom Background layer.

I tried a few experiments and got Deep Knockout to work, but it only seems to work if the original background layer is present and intact. If I delete or rename the background layer, or substitute something else as my bottom layer, the Deep Knockout doesn't recognize this new bottom layer as the "Background" and drills right past it down to emptiness---an entire screen of blank pixels.

How do I take the bottom-most layer of my stack and redefine it as a Background, so that Deep Knockout will recognize it? (Also, I've never understood why Photoshop even bothers with the background layer, what special properties it has, and what advantage it provides vesus any other "normal" layer that sits at the bottom of the stack.)

Thanks

Hi all,

Having trouble with this problem...

I have layer 1 with a color mask set to black, red, blue etc.
I have layer 2 with a color mask which i want to match and also become black, red, blue

There are hundreds of files, and the color in layer 1 is always different.

Manually i would simply click on the layer 2 mask which opens the color picker, and select the area of layer 1 i want to match.

But doing that in a macro does not work.

I can't get a macro to recognize that i want to copy the color content of a mask, and not the specific color used in the example during which the macro is recorded. The color picker does not seem capable of selecting a dynamic input (e.g. whater color is on layer 1), it simply copies whatever was in layer 1 during recording like a dumb instrument.

thanks for any input.

I apply a screen blending mode to an object with another layer beneath. I want to copy the first layer with the result from the blending mode into a seperate document. When I copy I get the layer without the blending result.
Is there a way to do this without merging the layers and then selecting the part I need?

Hi

I have a file with 760 layers plus a background that is a photo. The layers are rasterised smart layers from Illustrator

I have a task by which I have to have the background always visible. I then make the first layer visible as well as the background and then save for web and devices. Once one I turn that layer off and then turn the next layer on and then save for web and devices. 760 times Oh God!!!!

I know I can create an action and even a droplet from the action the issues I have is how do I tell the action to turn the first layer on and then optimize the resultant image and then turn that layer off and then move to the nest layer and so on through the 760 layers

Any ideas would be great

Thanks

Hello,
I wondered if someone would hear me out and possibly help or advise me.
In the attachment there is a great picture of a bass jumping with the sky and sunset in the background.
I added a white paw to the sky and hope to make it look or blend in as a beleivable cloud in the sky.
My novice thoughts about how I might do this was as follows:
1) create and save a precise selection of the paw with a close detailed trace (I am having trouble donig this ste) and save the selction.
2) take that selection to the background copy layer and delete all the area inside that selection
3) take the background copy for cloud breakthrough layer and place it below the background copy layer with color enhancements to show through the holes in the background copy layer.

there is also a cloud paw layer which I aborted efforts working with.

-Bottom line is I am looking for a cloud paw in the sky which looks good, an orange emphasis is desired.

If you can do some work in the file and post it back up or at least advise how you would reccomend I try and go about it would be greatly appreciated.
BTW - The selection process really giving me fits with the idea I had, If you know of a great selection tutorial please send me some info.

Thanks,
Joe

Hallo everybody,
following a tut about Photoshop compositing, I have to create a fake shadow on the ground. I make it pretty good (see image 1) using tre different layer copy with different blendings mode and Opacity.




But when i Merge three layer i loose my semitransparent shadow...it becomes completely black, at the starting point...
(see image 2)



What it wrong?

And than, if I want to blur the (unique) faked shadow layer, how can i male it without blurring all layers of the document? I try to use an empty layer as a Clipping mask, and I applied blur to it, without results...
please help!

Thx!

I want to merge two layer.
layer 1 contains this pictu

layer 2 contains this pictu
-
after merging:

I want to place layer 2 above layer 1. but only the color change.
why does this happen?