Fixing A Missing Eye

Hello,

I'm an amateur photographer and did a photo shoot for a friend.
I used a colored background (1 color) but I now want to change that background to white.

I already tried myself with Photoshop and as you Photoshop experts definitely know, changing most of the background is very easy but it's not that easy to do it in such a way that the 'borders' of the person look natural

I'm looking here for someone who is good in this (so definitely no Photoshop amateur) and who's willing to do this for me. I'm prepared to pay a small fee (via Paypal) for it because I want it to be perfect.

I'm talking about 6 photos.
Please note that I don't want the background color to be changed everywhere to 100% white, the (small) shadows of the background (like in the corners of the photo) and the 'gradient' in the background have to stay so it looks more natural.

If you are very experienced in this and if you are interested in this small job, please send me a PM.

Thanks a lot in advance,
Kate

I have a photo with numerous strips of nearly washed out skin tones and some very dark shadowed ones. Having no luck trying to darken the light and lighten the dark so it presents natural gradients. In fact I can't get those areas to gradually transition at all. They become uniformly too dark or uniformly too light.as if painted with a spray gun. Surely one of you smart people can tell me how to do this.

I need to know if there is a way to change a pattern/ print on a shirt into a solid color while keeping the shadow details and natural bends and wrinkles in the garment? HELP!!! =)

I've merged the original exposures into a panorama using PS's photo merge tool, and then used the Adaptive Lens filter to straighten it out. The merge gave a cup shape to the horizon. The Adaptive Lens filter wasn't as easy as expected, as just marking the horizon was not working and I could find no way to tell it that the projected line it drew was not following the right curve! But I found that making a bunch of overlapping small lines did the trick.

So here's what I have now:

Before I work on color, I need to get the composition right. The distant horizon is straight, and the change in features on the left is a natural place to have a bend, but maybe the distant horizon ought to be a bit curved after all? I'm open to suggestions.
The near space is too distorted and doesn't match, but having the feature provides for the opening up of the distance beyond it. But maybe it can be shaped or modified somehow?

Any suggestions or discussion on what I should do next?

Also, I've found that PS will not save a file if it runs larger than 2GB. A more enormous merge could not be saved with layers intact. This thing is already pushing 2GB, with one "smart" layer + the lens filter and a vibrancy adjustment layer.

Could someone please remove the man and the bench he is sitting on from this image so that it just looks like the wall (natural). Also when I set the image to my desktop, the height is perfect but the sides are too short so rather than stretch the image, could you just add on more wall either side of the lady so it fits 1900*1080 resolution?


I added two images just so you understand what I mean and how I want it to look

As you can see the wall just extends thats so it will fit my 1920*1080 resolution without having to stretch the image

If someone can do this for me I would be very greatful!

P.S Homeland is a fantastic show and you should watch it if you have not already

Hi, my glasses are tilted in this photo, and I would like to use this pic in an application form. Can anybody help me correct this problem? It would be highly appreciated!

Thanks in advance

Hello friends. I am trying to get a tie custom made at a shop nearby, and need to adjust the picture I wish to use. So, here is the picture.



The person making the tie said she needed to be standing straight, as opposed to being tilted as she is now. Since I needed to tilt her, I thought I'd throw in some extras as well. So, I tried doing it myself, and it came out and looked like poo. So now, desperate and weak, helpless and defenseless, I am coming to the masters, or gurus, for much needed help.

Like I said, I needed her tilted so she's standing straight. Not only that, but I'd like to take her out of that background, and put her in a half navy blue, half white background. Oh, and I'd like to keep that little heart next to her as well.

If someone does pick this up, and does wish to throw in some extras, by all means.

Thank you so much, and I hope I can get someone to help me with this! Thank you, Gurus.

1. Is there anyway to get around the popup box that says "no pixels were selected"? This bothers me when I want to make something really small into a selection.

2. My pen tool lines are tapered at the ends and I need help fixing this.

Thanks!

Note: I Apologize that I didn't give you anything to start with, my computer played a trick on me where I accidentally hit the enter button and submitted my request while I was still typing.

Hello everyone, M1GMan Here! I'm working on a Veterans Day wallpaper project for this year, and I wanted to include the atrocities of war (no graphic content) in which a girl is sitting next to a bunker wall in the midst of the aftermath of a fearsome bombing raid (in reference to the Blitz that occurred in 1940-41). The subject's name is Louise Brooks, and the original picture is a snapshot from the 1928 silent film Beggars of Life that she appeared in. I've already worked on matching colors with the destroyed church, the sky, the rubble and debris, and somewhat with the bunker wall that she's suppose to sit against, in relation to the subject herself using Photoshop CS3.

What I need: I need the subject to look like as if she is actually sitting against the bunker wall by adding any effects to make it look natural (you can use shadows, blur effects, lighting effects, etc.). Don't worry about the rubble and debris background and the church, for I'll take care of those elements later. But for now, I just need you to make the bunker wall and the girl look like they go together. I've added a PSD file to make it convenient for you to work with the separate layers in which each should have at least two copies of each other (with the exception of the destroyed church, and additional copies of the Louise Brooks photo that I made for cutting her out of the original background).

If you need any additional information or materials, please don't hesitate to contact me.

Unfortunately the pattern stamp tool insists on having one or two pixel-wide white edge on my touch ups. No brush type or amount of hardness I choose from the tool options bar gets rid of this. Any idea how I can set the pattern stamp tool to have a hard edge, so hard there's absolutely no fade to white at all on the edges.