Ps Shortcuts On The Bosnian Keyboard

I used to know it but can't remember anymore and after a long search online, still can't figure it out.

Ok, I have a bunch of layers and I want to make a lasso selection on the top layer and then use whatever the correct keyboard shortcut is to make a new layer with a merge of all the underlying layers made in the lasso selection area.

I know I can cntrl-alt-shift E and stamp a new layer on top of the stack with a merged version of all the layers below and then make a lasso selection and cntrl-J that to a new layer, then delete the cntrl-alt-shift E layer...but I would like to save the step of having to make the merged layer first. There is a keyboard short cut for this but I just cant find it.

Any of you pro's have the answer to this? Would really appreciate it.

Thanks!!

Hi there,
I have looked for an answer to this problem but have not been able to find it - so I wanted to ask if anyone here know.

What I want to do is to tranform (scale etc.) a part of a Photoshop image I am working on. I need to work very close (zoomed in) so I can not see the transform handles that I normally use to drag when tranforming.

Is there any way to do transformations using the mouse (with a dragging motion) - without actually grabbing the transformation handles? (eg. using shortcuts / mouse)

Lars Bjorstrup

Hey all. I'm trying to recreate the blur effects of the logo(s) used for the Tate Modern.

The logos:






The topic has been discussed befo
http://graphicdesign.stackexchange.c...o-in-photoshop

One of the solutions suggests using gradient masks, feathering and adjusting the curves. This works but falls short of achieving the more exaggerated effect of for instance the last two photo I've posted above. Are there other things I can do to bloat/obscure the shape of the letters? I also want them to still look like there going in/out of focus.

In addition I've had trouble with the gradient masks:



As you may be able to see, part of the text (diagonally across the middle) is masked over slightly. The idea was to create two complementing gradient masks so one masks over the top left one layer, one masks over the bottom right of one layer so when the layers are placed on top of each other it creates one seamless, solid color. I thought I could do this by copying the gradient mask of the first layer, moving it to the second layer and inverting the colors, but as you can see a grey area appears, where the two fading gradient masks seem to overlap. Here is the text with the gradient masks disabled:



Also the original typeface they used is supposedly VAG Rounded.

Thank you so much for your time!

Hello Everyone!

I am facing a problem with a brush in Photoshop CS6 Portable. I'm using a Wacom Intuos Pro and yesterday I drew a picture. Today I come back to that same picture and when I select it so I can work on it with the same brush, the nuances are gone. Meaning when I give a lighter stroke there isn't an increase in opacity, like a real brush effect. The stroke is just fully there or it isn't. I'm baffled to what might be the cause of this and feel like I've tried everything so if anyone can offer any help on this issue I would be forever grateful!

Edit: I think I solved it, I turned on always pressure for size and adjusted the brush size and it seems to give me the same brush I was using (yes I'm kind of a noob, especially with tablets), somehow it got turned off I guess? I was wondering though, is it possible to extract the exact brush info & brush parameters from a drawing, by for instance clicking on it?

I have about 700 RAW images I want to batch process through PS.
All I want to do is reduce their size from 5184 X 3456 to 900 X 600 @ a resolution of 150 and save as JPG files.

Since RAW files run through ACR first and there's no way to reduce images size I just run it and end up with full size jpg's.
I run the JPG's again through Bridge and select Tools|Photoshop|Image Processor and selected "Open first image to apply settings" but when I run this there is no pause to reduce the file size.
It just runs through all the images allowing me no option to "Apply Settings".

I realize I can record an action to do this and use Photoshop|Batch but I'd like to know why this isn't working.
Thanks guys.

Hello everyone. So I've been running PS6 off my laptop for quite sometime and its just not enough. I'm looking to do a desktop PC build specifically for PS and AI. I already have a nice 27" Benq Monitor.
I was wondering what you guys might reccomend part wise. Such as Ram Memory, Mouse & Keyboard, graphix card etc etc. Any recommendations is appreciated. Thanks in advance!

Hello,

I'am new on this forum,my name is Boris (19) and i live in Bosnia and Hercegovina.

Firsth of all sorry for my really bad english.

I have problem whit cuting one letter from logo.

I change name of my gaming community from GSP to GP, now i need to change a logo.

I am very weak in photoschopu, and my friend who create this logo is not here.

Link of logo is he http://client.dizajnarena.com/files/...fault/logo.png

Can someone please help me to delete a letter "S" from image, that would mean a lot to me.

Thank you, and once again sorry for my bad english.

Hi! I want to create some car light trails for a matte painting scene.

I'm using a "Stroke path with brush", applying Shape Dynamics so the brush size is reduced as it approaches the vanishing point of the scene (1st image).

However, when I use a Round Blunt tip (to produce a more realistic effect simulating the light trails of several cars, 2nd image), I'm not able to apply Shape Dynamics for the brush size (3rd image).

Do you know any other brush tip that could produce a realistic effect (such as in the 4th image), while also being able to reduce its size via Shape Dynamics?

Or what any other way could I achieve a similar result?

Thank you!

I have seen this image before and we may have used it a while back. With a whole new set of players, I feel it's safe to bring it back in a new challenge.

No comments from the cheap seats on the condition of her skin. This is a lovely young woman and I would hope that we can all treat her image with respect.

I encourage everyone to give it a try even if your new to Photoshop. All participants should be prepared to explain the techniques they have been using, as we can't learn or help without some idea as to how it was accomplished.

Good luck!



Here is my 1st attempt.

edit: I start by opening the original and duplicating it and then turning off the original layer.
I create a new layer. This is the layer that I will do all of the following adjustments on.

I started by using the following tools and settings.
Healing Brush Tool - Mode= normal - Source= Sampled - Clone sample mode= Current level and below.
Spot Healing Brush Tool - Mode= Normal - Type= Content aware - Sample cloned data from composited data= Sample all layers.
Brush Tool - Mode= Normal - Opacity= 100% - Flow= 1%

This is the image (Layer A) after only using the tools above and one added Levels Adjustment Layer.



edit: I then select the uppermost layer (Levels Adjustment layer) and hit Shift>Option>Command + E to stamp all visible layers. I then name this layer A.
I highlight all other layers except layer A and the original background layer and group them. I then turn off the group.

I then start where the tutorial starts with only the layer A turned on.

Here is the image after using a skin softening technique described in this video:

Hej, I'm about to invest in a new computer. It's leaning towards a laptop this time but I am a bit worried it could affect the ergonomics (i.e. the fact that it is not possible to adjust the screen vs the keyboard). I use a wacom board.
Anyone with experience of using both or know the pro's and con's of these two?
Thanks!
/Mansson